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Handel

Handel Gigue Siebente Suite in g moll - HWV 432

pental

1:52	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	2	5	4	93%
		19	2	2	3	76%

Flute Sonata in A Minor, HWV 374

DulyNoted

1:05	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	37	8	7	94%
	19	0	6	7	100%
Flute	20	0	7	7	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	37	8	7	94%
	19	0	6	7	100%
Flute	20	0	7	7	100%

La Rejouissance - Handel - Brass Quintet!

Iowabob

1:26	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	10	0	1	6	100%
	7	0	0	6	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	10	1	6	100%
	7	0	6	99%
Horn in F	9	0	6	99%
Trombone	10	0	5	99%
Tuba	13	0	5	99%

Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
Violoncellos	19	0	4	5	98%
Cembalo	25	53	7	5	95%
	22	60	3	5	95%
Fagott	18	0	4	5	84%
Oboe	11	0	1	6	65%
Soprano	11	0	1	6	65%
Bass	14	0	2	5	59%
Tenor	9	0	1	6	59%
Alto	10	0	2	6	57%
Alto Soloist	8	0	1	4	14%

HWV1A3N11 - Gönne nach den Thränengüssen mir

edward.maurath

1:31	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	17	35	6	5	100%
	15	2	3	5	100%
Bassoon Continuo	14	0	3	5	100%
Bass as Raymondo	17	0	5	8	75%
Oboe	8	0	2	3	71%

Allegro (Fuga à 4) from Suite No 3 HWV 428

Bartók forever

1:53	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

Handel Allegro Siebente Suite in g moll - HWV 432

pental

1:56	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	2	8	5	100%
		20	0	5	5	100%

Air From Watermusic

LoneBugler

1:12	Est. Play Time
18	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
C Trumpet	11	1	6	100%
	11	2	6	94%
Bass Trombone	17	3	5	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
C Trumpet	11	1	6	100%
	11	2	6	94%
Bass Trombone	17	3	5	100%

Water Music Suite, Air

jlburnett

1:12	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	11	0	1	6	100%
	12	0	3	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	11	1	6	100%
	12	3	6	100%
	10	1	6	100%
Double Bass	15	3	5	100%

Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version

sven2011

1:48	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	2	5	4	100%
		17	14	5	5	96%

HWV1A2N23 - Ich kann nicht mehr verschuriegen

edward.maurath

1:26	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano as Almira	14	0	4	5	96%
Cembalo Continuo	14	24	3	4	83%
	14	1	3	3	78%
Viola	9	0	2	3	78%
Violin 1	8	0	1	3	78%
Violin 2	7	0	2	3	78%
Violoncello Continuo	12	0	3	3	78%
Bassoon Continuo	11	0	2	3	74%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Air From Water Music

flippeters

1:52	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		23	29	4	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Guitar		23	29	4	7	100%

Händel: Sonata 10, Op. I., HWV 368 Andante

hillaby

2:06	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	10	100%
Classical Guitar		27	50	11	6	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	10	100%
Classical Guitar		27	50	11	6	90%

May Love Preside

singthewords

1:39	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	10	3	9	99%
	17	1	1	6	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	10	3	9	99%
	17	1	1	6	100%
Flute	13	0	2	10	94%
Soprano	14	14	2	8	78%
Alto	13	15	2	8	75%

HWV8A1N3 - "Ah! Infelice mia patria," Act 1

edward.maurath

1:25	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	19	23	7	3	100%
	11	0	5	3	100%
Amarilli	13	0	5	3	100%
Violoncello	11	0	5	3	100%

HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744

edward.maurath

1:18	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	13	14	6	3	91%
	17	16	6	3	100%
Cello	15	0	3	3	100%
NITOCRIS	13	0	4	5	65%
Daniel	11	0	3	3	35%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
Soprano	12	0	3	5	92%
Tenor	10	0	1	6	92%
Continuo	23	36	5	4	70%
	21	39	4	4	72%
Fagott, Bassoon	16	0	2	3	68%
Violins, Viola	13	0	1	3	68%
Violins, Violin I	13	0	3	5	68%
Violins, Violin II	13	0	2	3	68%
Violoncellos, Cello	16	0	2	3	68%
Oboe, Oboe	10	0	2	4	59%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	0	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%